Charms

These charms were made very simply from shrink plastic, then mounted onto tags.

I ran white shrink plastic through the Wizard, with a heart die cut.  I added a little deep green/blue colour with a pigment pad and rubbed it around with my finger till it was subtle. I punched the hole.

I stamped the oriental lady (Stampington) on one side and the oriental pattern (Stampers Anonymous) on the other, using turquoise Stazon, then shrank the plastic.

Once shrunk, I edged the hearts with the turquoise Stazon, added a couple of jump rings and a leaf , then attached the charms to the tags.

The tags were made by rubbing distress in ks onto a craft sheet, then spritzing until the ink 'beads'.  

I pressed the tags into the ink, several times, drying with a heat gun between layers of ink.  I then used a Cratfters Workshop stencil and moulding paste to add pattern and texture, and ran a distress ink pad over the top.  

I stamped 'charmed' onto a some scrap card, added fibres, and was happy with the result. Hope my swap partners like them!

Button tags

I made these tags for a handmade button on a tag swap. The buttons are made from polymer clay.

I mounted the orange buttons onto paper flower shapes which I'd overstamped with some text.  The tag background was made by smearing distress inks onto a craft sheet, spritzing, and dipping the tag into the ink. Do this several times, drying the tag in between.  I then used a Crafters Workshop stencil, and moulding paste, to add patterned texture.  I ran an inkpad over the top to catch the detail, then added a bunch of fibres.

The tag below was made the same way.

Alphabetica postcards

I've been organising a running Alphabetica postcard swap since January.  Here are some of the postcards I've made for the  first 10 letters of the swap.  Forgot to take pictures of all the postcards :-(

A for Art combined a gesso and Quink background with a friendly plastic embellishment and some scraps left over from another project. 'Art' is stamped and heat embossed.

I

A for Abstract is another gesso and Quink background, with another friendly plastic embellishment, and painted 'A' and some stick on letters.

E for Entrepreneurs - the Cavalieri Brothers - love this stamp.  Background is grungepaper - hate this stuff - with colourwash sprays and stamped texture.

E for eclectic, eccentric Esmerelda.  More grungepaper, with stamping, a painted letter and stick on letters.

F for Fish. A painted and stamped background, and my favourite oriental Koi stamp in gold.

F for Fossil.  Painted and sprayed backgrounds, stamped Fred Mullet fossil fish.

D for Damsel - grungepaper again, with an alcohol ink background for the Enchanted Ink image, which was stamped onto acetate with purple Stazon and backed with gold.

D for Dragonfly - more grungepaper, stamped with a Stampers Anonymous dragonfly, with an added dragonfly embellishment made of polymer clay coated with PearlEx.

I for Ice - pearlescent background and stamped letters coated with several layers of clear embossing powder with a little glitter mixed in, bent to crack it, and a few pearlescent snowflakes for good measure.

I for Inclusions - handmade paper with flower and leaf inclusions, and a variety of inclusions trapped behind gauze.

J for Jilted - Distress inks background, with a painted letter, stamped word, and stamped Crafty Individuals image.

J for Joined.  Embossed cardstock with a thin coat of Brilliance ink, layered with gold vellum and a stamped image, with added golden hearts.

Muse paid a flying visit

I am in the middle of an Alphabetica postcard swap, but my muse has been missing, and it's been hard going. And then, she paid a flying visit...

L is for Leonardo - a man I greatly admire.  I am also rather taken with these backgrounds, which my friend Pauline taught me how to do.  It's really simple, just stroke 2 or 3 Distress Ink pads onto a teflon craft or baking sheet, spritz with water until it beads up, then dab your card around.  You can make them a bit upmarket by adding a spritz of a mica colour spray. The backgrounds are great for stamping on, they add interest but don't detract.

 I used Tattered Rose distress ink to stamp text all over the backgrounds, then Soot Black, Fired Brick and Spiced Marmalade for the rest of the stamping. These Leonardo stamps are from Rubbadubbadoo, Rubber Baby Buggy Bumpers, and Invoke Arts.

K is for Knight - one day maybe I'll find one, wearing shining armour.  I doubt it.  I used another of those Distress Ink backgrounds, and stamped a diamond pattern in Tattered Rose. I used Black Soot and Spiced Marmalade to stamp the knights with. I used a scrap of slightly glittery painted card to stamp and emboss the words (all Rubadubbadoo).

For the back of this one, I laser printed some old text, then used the same Distress Ink technique to add colour - less water this time, as I wanted stronger colour.  Also, the paper sucks it up differently to the card.  

I stamped and gold embossed the diamond pattern (Invoke Arts), then added the K (cut form Tim Holtz paper) layered onto a scrap of card with the same gold embossed pattern.

A little printing and stitching

I tried a little fun foam printing onto fabric. I cut a piece of fun foam to about 2 x 4 inches, then drew my design with a biro - pressing hard to make deep marks.

I used a sponge to apply Stewart Gill fabric paints to my 'printing plate', then pressed it onto the fabric.

I chose some really pretty perle embroidery thread, which I have been hoarding for ages, and started to embroider over the printed design. Only two stitiches - seed stitiches and french knots.

Once the hand embroidery was finished, I backed the lightweight cotton fabric with heavier fabric, and machined a small zigzag stitch around the edge.  I like the finished postcard, not at all my usual colour palette, but summery - which is more than I can say for the weather!

Brown paper 'fabric'

Brown paper 'fabric', as outlined by Sarah Lawrence in her book 'Stitch, Cloth, Simmer & Shine', is versatile and easy to make.  I have chosen to use my sheet in a papercrafting way, but it can be sewn on too.


The first step is to get some brown paper - the stuff that comes on a roll, small bags are too thin - and scribble all over it with wax crayons.  I had some fancy wax crayons which scribble several colours at once, I used one for the top half and a different one for the bottom half. After you've scribbled, crumple and uncrumple the paper a few times, then smooth it out.

Now, rub an inkpad over the paper - it just catches the highest points.  I don't think it matters much what kind of inkpad.

Now, spray the whole thing with a dark coloured colour wash or spray ink - again, it doesn't really matter what kind - I used these from Outside the Margins because they were the only sprays I could find in my stash which were not blocked.... I tried two different colours just to see what happened.

Once dry, rub lightly all over with gilding wax - you could use Rub'n'Buff, or Treasure Gold, or Crafty Notions gilding waxes, or any other brand.  Don't put too much on, you don't want to cover all the colour up, just add a metallic gleam.

I decided to make a book with the paper, so I covered two pieces of card with the papers, added some card, and used the Bind-it-all t make my book.

The book needed an embellishment, so I stuck some of the leftover red paper to some card, and ran this through the Wizard in a Cuttlebug folder.  I die-cut it with a heart cutter, then smooshed over the raised areas with a Brilliance Galaxy Gold inkpad.  It looked OK, but there was no wow factor.  I coated it all with Versamark and added Ultra Thick Embossing powder. Suddenly, the wow was there.

I made some little circles with left over card, coated with UTEE, and added them to the cover with the heart.

March & April artwork

Ezmeralda and the Entrepreneurs are on grungepaper bases.  I hate this stuff. The only thing going for it is that it doesn't rip. It warps if you heat it, and it is darned expensive. I don't like the smell, the feel or the texture. This is probably heresy - I should just give away the sheets I have left, somebody else might like the stuff!

This is a fabric ATC, all scraps held together with free motion embroidery, then hand embellished with bullion stitch and beads.

A fluffy hanging heart, needlefelted and beaded then mounted on a collage background, painted over with gesso and pale turquoise paint.

January & February artwork

I have been neglecting this blog, but thought I'd post the artwork I've done in 2012, month by month. 

Odd shaped art

Annie ran a swap last year, where we all made 6 little pieces of art to fit plastic pockets of an odd size - hence 'odd shaped art'. Of course, once in the plastic pocket page, we realised we needed six more to go on the other side of the page...

So, here are my second set of odd shaped art. My new scanner is very clever, and as well as scanning it does this autocrop thing when you scan several things at once. Unfortunately the autocrop feature sometimes crops the bottom off things! So one or two of these have lost their bottoms....

The first is on canvas, two image transfers (one behind the heart), and a collaged photo of a sculpture, plus a friendly plastic broken heart and some Tim Holtz music tape. The word and the (cropped) dots were done with a Viva Perle pen.

This background was watercolour paper covered with tissue and painted with a dozen or so thin layers of acrylic paint - it starts to look and feel like leather. Between the last couple of coats, I scribbled with an iridescent oil pastel crayon, you can see the metallic glimmer through the paint. Then I covered almost all of it up with a Klimt image, some Tim Holtz tape, and some german scrap!

This background was made by painting cardstock generously with gesso, and stamping into it whilst wet. A quick sprinkle with salt, and a spritz with watered down Quink permanent black ink, and leave to dry. The salt dissolves a little, leaving little pitted textured areas, and the ink separates out to give patchy mottled colours. I stamped a zodiac stamp onto a paint sample, added some Tim Holtz tape and the word and dots with the Viva Perle pen.

More of the acrylic paint background, this time covered with a digital collage (all my own work), and a stamped definition.

This one is really shimmery in real life - shame the scan never captures that. Moonshadow sprays on watercolour paper, with interest added by sponging acrylic paint through a sheet of ironed angelina. I added a stamped image (Stampers Anonymous), some german scrap, and some letters.

Finally, the background to this is made by crumpling waxed paper, ironing it onto glossy cardstock, then sponging dye ink on. The wax resists the ink, and creates this lovely pattern. I've had this image for ages but never found anywhere to use it. The background colours reminded me of India, so it seemed appropriate to use it at last. I punched three flower shapes out, and backed the holes with some pearlescent pinky red card, and added some sari ribbon. Clever autocrop chopped the bottom off!

Brown paper ATC

I tried out a new-to-me mixed media technique for this ATC and am rather pleased with the results.

Take some brown (kraft) paper, an inch or so larger all around than your finished piece, and crumple it up. Crumple and uncrumple a few times till you like the texture.

Cut a piece of iron on interfacing to at least the size of your finished piece, and iron it on. The paper now feels more like fabric than paper, and won't tear where the interfacing is adhered.

Turn the paper over, raw an outline of your finished piece in pencil. Stick some pieces lace or other deeply textured textile on - I used gel medium to stick mine.

Take some perle embroidery thread - different weights would be nice, I only used one because an ATC is pretty small - and sew. I used stitches to ensure that the lace was anchored, and also as part of the design of my finished piece. The stitches are simple - blanket stitch, fly stitch, straight stitches and french knots.

Take some gesso and paint over everything you've done. I know, you just did all that embroidery - don't worry, it will all look good in the end!

Once the gesso is dry, paint over it with dark acrylic paint - I used Golden fluid acrylic in Paynes Grey (which I think is more of a blue!). Be sure to get the paint into all the texture - this will probably take 2-3 coats.

Once the paint is dry, rub all over with a gilding wax - I used Treasure Gold in sapphire. You could use rub'n'buff, or a Liberon product.

Finally, highlight all that texture with a contrasting colour of gilding wax - I used Treasure Copper - you need to have a very light touch for this part as you need to avoid getting the contrasting colour on the background (as far as you are able).

I'm really pleased with the end result, it has 'wow' factor - I will use this technique for other projects.