Tuesday, 31 December 2013

Lutradur wall hanging


I had to make something for a swap, using Lutradur.

I started by taking white lutradur, and adding a very thin layer of gesso through a stencil  I then used crimson and orange fluid acrylics to colour the lutradur, the gesso takes the paint differently to the lutradur and creates a nice effect. I painted another piece of lutradur crimson, and mounted the gessoed piece onto it using gold brads.


For the focal piece, I took some dark grey lutradur, added gesso, then painted it deep brown using fluid acrylics.  I glued on a moulded polymer clay embellishment, and used more gold brads to attach to the layers below.  The whole piece needed some sturdy support, and some contrasting colour to make it 'pop', so I cut a piece of mount board and covered it with some bright green polyester 'fabric' from the florists. I adhered the lutradur piece to this base with matter medium, and added a little ribbon hanging loop.

Monday, 30 December 2013

Maple leaves book page


More maple leaves. This is my page in a collaborative hanging book, where each player was given a colour of the rainbow. We had an extra player, so we needed an extra colour, I added crimson to the rainbow :-)

As I'd drawn a maple leaf shape to use to draw around for my textured acrylic panel, I thought I'd use it again. I layered up some autumnal colours of organza with snippets of organza between the layers, then used my special Margaret Beal soldering iron to trace around the maple leaves. As I had spare layered organza left, I created more shapes to finish the bottom of the page off.

I painted a piece of canvas with quinacridone crimson fluid acrylic paint, then I sewed the maple leaves on using variegated threads. I finished the piece by adding dots of iridescent gold fluid acrylic, using the end of a a bamboo skewer.




I have everybody else's pages now, they were all gorgeous - I really must get around to binding them into the hanging book, and put them all on display.

Sunday, 29 December 2013

Textured acrylic canvas panel


This was an experiment, following the instructions given by Lisa Kesler, in an article called ' Texture and layers with acrylic paint and stencils', published in Cloth Paper Scissors.

The first step was to cover your substrate (I used a canvas panel) with masking tape. 


Next step was to come up with a design which was a combination of a main focal image, and background shapes or images. I drew my background shapes onto the masking tape. As I'd be cutting around the shapes, I didn't choose anything complicated!


Next, I cut around my shapes using a sharp craft knife, then peeled off the masking tape from around them.


I added a layer of moulding paste, and textured it using bottle tops and pieces of netting.


Once dry, I peeled off my masking tape shapes, and painted the whole piece with watered down fluid acrylics in two or three colours, letting the colours pool in places.


Once dry, I added a warm ochre colour all over to bring it together.


Then I added green, using a baby wipe, so it didn't go into my shapes. It's not looking brilliant at this point, but I know my next layers will really help.


More layers, getting darker and warmer.


The final layer, quite a bright orange, I s added all over, including in my shapes. I'm quite liking it now.  The colours in this photo are a bit brighter than real life.


For the next stage, we're back to the masking tape.  Once you've covered your canvas with masking tape again, you draw your main image on the tape.


Using a craft knife, cut around your image again, but this time lift the image rather than the tape around it.


Add more moulding paste, and remove masking tape.


Once the moulding paste is dry, add more paint layers.


Paint your main image carefully, making sure you don't get any on your background.


I added several layers of crimson, then used an iridescent gold oil pastel to draw the veins on the leaf, before adding a final layer of paint. The finished piece.... which took all day on and off, 10 minutes here and there with lots of drying time in between layers.


Eagle eyed readers will have spotted that my background circles aren't all in the same place.  I made several of these at the same time, and didn't always photograph the same one!

Lutradur book


I made a little book out of Lutradur, gesso, woven brass 'fabric', and beads.




I used 2 pieces of Lutradur about 6 inches by 4 for the cover. I coloured them with fluid acrylic paints. Once dry, I used foam stamps and gesso to add images. If you look carefully, you can see gold shiny areas, I gently stroked on some treasure gold for texture and to break up the larger areas of colour a little.

I cut strips of woven brass 'fabric', punched small holes in them, and sewed them onto the front cover with french knots. I decided that I didn't want a closure to spoil the front cover so added a button to the back cover, and made a beaded loop to close over the button.  I also added beads to the pamphlet binding.





The inside of the book is also made of Lutradur, coloured and decorated in the same way but using slightly brighter colours.  I folded it to a pattern, the pockets are just the right size to tuck ATCs  into.


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