Visitors to this blog

I just looked at the little map counter which shows me where all the visitors to this blog come from - and was astounded to find that people from 112 countries around the world have been to see what I've been up to!

I hope you all enjoyed your visit, and also that all future visitors have some fun too.

Fused or soldered fabric ATCs

The theme for these ATCs was 'black and white'. I used a black acrylic felt background, and layered geometric shapes of black and white synthetic fabrics and nylon lace on top. I used a Margaret Beal soldering iron to fuse the fabrics together and also fuse them to the background.



I also used the soldering iron to create patterns in the white fabric by 'doodling' into it freehand and using metal stencils.

I added some small organza 'roses', made by cutting circles of organza, layering them on top of each other, placing a glass bead in the centre, and using a heat gun to shrink the edges of the organza around the glass bead. I stuck the layers together and adhered them to the background with brads. To finish the ATCs off, I added a little running stitch down the edges and a few brads.

Hanging ATCs

I had a moment of inspiration and made these ATCs, incorporated into a hanging device.



The ATCs were made using an embellisher machine and silk rovings embellished onto felt. I then cut some circles and leaf shapes out of silk fabric and embellished them onto the backgrounds. I added simple hand embroidery stitches - just fly stitch, backstitch and french knots - to add texture to the silk 'flower's and' leaves'.


I used some of the silk rovings to make 2 felt strips to hang the ATCs, and then embellished organza circles onto a piece of organza to add texture and tie in with the embellished circles on the ATCs. I embellished the ATCs onto the organza hanging background.

Felted & embroidered ATCs

I know. You'll be shocked. I've made some art and am posting it to my blog. I have actually made more art recently but haven't found the oomph to upload it. I made these this morning and was so pleased that I thought I'd share.



These were made by using the embellishing machine to felt all sorts of bits and bobs of silk, organza, fibres, rovings, bits of silk rods and more to a base of emerald green felt. Once felted, I added the odd hand embroidered stitch, some sequins and a couple of organza 'flowers'.

Needless to say, they look much better in real life - really vivid colours.

Altered box

I altered this sturdy cardboard box - which is about 5 inches by 5 inches - to turn it from a plain brown box into something slightly more attractive.

I used light moulding paste and a stencil which I bought from Crafty Notions to create the raised design.


Once dry, I sprayed the whole box with a variety of colourwash sprays - Radiant Rains, Crafty Notions sprays, Sticky Fingers Sprays and some from Outside the Margins in the US. Once that was all dry, I added colour to the raised areas using several colours of Treasure Gold.



To finish It off, I lined the box with velvet paper,
which I bought from Marco's in the US.

Olied paper experiments

Many years ago I created a 'faux vellum' by adding baby oil to copy paper. the results were not inspiring enough for me to try it a second time.

However, Maggie Grey has taken the technique futher in her new book by using a variety of papers and adding paint into the mix. The results can be very good, and create a surface that is suitable for papercrafting or stitch.

Annie came to stay last week and we had a little play. We took a selection of papers - a printed brown paper bag, a sheet of copy paper, a vintage map, some old sheet music, and some printed scrapbook papers.


We also used baby oil (but you can use almond, sunflower, lavender or whatever oil you like) and some cheap acrylics. I later tried more expensive acrylics and like the results of that the most!


At a very basic level, you can add oil to a plain sheet of copy paper,then leave in a cool place or half an hour to dry out before painting thinly with acrylic paint (or paint first, oil second) then crumple it up a few times. This looks fine.

We then experimented by stamping the copy paper first:

then painting:


which created a nice paper after crumpling - I don;t seem to have taken a pic of that on its own but it is shown in the last pic of this post.

Next I tried simply adding oil to printed papers - you can see the backs here to show the difference between oiled and unoiled:


and this made a nice surface for stitch, again see final pic in this post.

But this is my favourite - copy paper, painted with Jo Sonya metallic paint:


overpainted with cheap acrylic, paint lifted with a Cory Celaya stamp:



then oiled and crumpled, it looks and feels wondeful:

Here's a pic of all the papers we experimented on, from left to right - painted printed paper bag, copy paper, maps, sheet music, printed papers.


The map and sheet music were the least successful - the papers were too heavy, and probably too old, as they cracked and holes appeared during the crumpling stage. The printed papers were quite heavy but worked reasonably well, but the thinner papers worked the best.

I made some art!

Well, it's been a long time since I posted to this blog. A lot has changed in the last few months, and the desire to create has been channelled into work activities and sorting through my belongings to only keep things I really can't bear to part with, and decorating parts of my house to make it more likely to sell quickly.

This week, my good friend Annie came to stay, and we went to Ledbury for two days with Wendy, and enjoyed ourselves in workshops with Angie Hughes. We learnt to make fabric tag books using printed tissue and fabric run through an inkjet printer - the possibilities are endless... We also learnt how to create print blocks from heat mouldable foam, and used these to print and overprint on fabric with acrylic paints and fabric paints. I will share some of those projects when/if I finish them.

Maybe two days spent relaxing and creating in good company got my muse excited because yesterday I made two sets of ATCs and today I made some more! And I enjoyed it. I have made some art over the last few months to fulfil my swap commitments, but I didn't really enjoy doing it.

This first set of ATCs are made form fabric paper backed with felt, with gold stitching round the edge. The images are from PaperWhimsy, I found some collage sheets I bought years ago when I was cleaning and clearing, and decided to use them. I laid organza over the images and stitched the organza all around the images, trapping them on the ATCs. I added rainbow organza ribbon, overlaid with deep red satin ribbon, and added beads as I sewed the ribbons to the ATCs.


The second set are also made from a fabric paper base, using some Xmas tissue wrapping in the process. I sewed some ribbon left over form Xmas down the side, and added more PaperWhimsy images, frames with Stickles. I sewed a sequin and bead in the corner, and stamped some words onto fabric scaps, before adding them to the ATC using Bondaweb. Annie suggested the words after looking at the faces of the three girls, and most appropriate they are too!


I'm still feeling quite creative, but am off to stay with a friend for a week, so may not get chance to make much.

I'll try not to leave it another 3 months before my next post!

Row Houses

I've been a bit quiet of late - a week in Germany visiting family and the ongoing loss of my muse following the collapse of my marriage have both contributed. I hope to get back into art soon because it takes me out of myself and gives me pleasure (once I get going!) and I need all the pleasure I can get at the moment!

I reluctantly began making some 'row houses' for a swap. They needed to be house shaped, between 1.5 and 2.5 inches wide and between 3.5 and 6.5 inches tall, be in autumnal grungy colours, and to have a face on them.

After looking at lots of scraps of card and lots of face images for a long time, this is what I came up with....

Fabric paper wall hanging

This was quite a quick project using fabric paper. I used remnants from 3 sheets of fabric paper I'd made a while ago - deep pink, purple and blue. I backed them all with felt, cut shapes out and sewed around the edges. I did a bit of free motion embroidery on the blue piece.

I coloured some paper flowers, then layered them with beads and sequin flowers and sewed them to the fabric paper shapes, then added more sequin flowers, beads and ribbon. A couple of squares with flowers and brads, and a few tiny tags with charms and brads finished the piece off.


It will be going to a new home at the end of the month, I hope whoever gets it likes it.

Fabric postcard

I have been on a couple of Angie Hughes courses at Ledbury Artspace recently. The first course was all about working with velvet, transfer foils, organza and stitch. I have a half finished piece from that course, but as I have very little experience of free motion embroidery I wanted to get more before I try and finish it off.

So, I thought I'd make a fabric postcard as a practice piece.

I took some red cotton velvet and masked out some rectangles then ironed bondaweb all over it. I covered it with organza and stitched around the rectangles, then used vermicelli stitch to cover the area around the rectangles, using a variegated thread. I hand sewed little flower sequins and beads into the rectangles. Finally, I backed the piece with pelmet vilene and finished the edges with a zig zag stitch. Frankly, I was surprised at how well it went, because I still don't feel competent with machine embroidery!

Paverpol - Altered Element design team

Altered Element sent me some Paverpol fabric stiffener, some Paverplast, and some 'fabric' for use with Paverpol which is made from beaten tree bark (looks a bit like a very large piece of flattened silk rod!). These materials are all way out of my comfort zone, and I wasn't sure what the heck to do with them!

I surfed the net to see what other people had done with Paverpol, and it was interesting to see, but not 'me'. So I had a little play, and here are the results of my experiments.

I wanted to see if Paverpol could stiffen fabric yet maintain transparency. And the answer is - sort of! I covered a glass bowl with cling film, then draped organza over the top. I cut some excess organza away, then applied the Paverpol fabric stiffener with a paintbrush, and left to dry. Once dry, I trimmed the 'brim' into a flower shape. This is the result:


It's sort of pretty, but a bit flimsy. I had planned to add some hand embroidery - maybe some french knots or lines of stitch form top to bottom, but it is too flimsy for that. I may yet add some curved lines of Friendly Plastic all around the outside of bowl sides, to make a sort of supporting framework, and perhaps do some gold stitching afterwards. If I can find time and my mojo at the same time!

My second experiment with Paverpol was to use it to stiffen and adhere fabric to a metal tin - every other glue I have tried has left bubbles or marks, so I was very pleased to see that the Paverpol left a flawless surface. This was very easy to do - just cut a straight edge at the bottom of your fabric, add Paverpol to the tin itself and start wrapping your fabric around the tin, coating with Paverpol as you go. I then took some thin strips of gold Friendly Plastic, heated them in a puddle of water in my melt pot, and squiggled them around onto the tin. The Friendly Plastic adheres to the fabric really easily - which can be both blessing and problem LOL.

I love the fabric I used - I've been hoarding it for ages!


I finished it off by adding 3 turquoise Friendly Plastic 'flowers', made by laying a strip of FP on a non stick sheet, heating with a heat gun, using a cutter to cut the shape, and allowing to cool completely before removing the shape. I laid the flowers on top of the gold squiggles, heated it all with my heat gun and used an embossing tool to make a centre and some depressions in the petals. I rather like this!





I will try to play with the Paverplast soon but that may be more of a challenge...

Something a little more personal - a different kind of art

Some of you may know that I was diagnosed with breast cancer 5 years ago. Next week will be the five year anniversary of my mastectomy. I came across this poem today whilst looking for something else, and it touched me, so I thought I would share it with you. It comes from a publication called 'The Healing Muse'.

Your Breast a Unicorn

B.A. St. Andrews

I.
Uncut and unsewn my breasts nuzzle yellow silk secure as two fauns nestled in Debussy's dream, sun-dappled and safe, finding solace singly and together.

My heart beats staccato under slumbering glands of these breasts and I think about the milk of human kindness and my friend who, unaware, suckled an abomination which curled inside her softness and betrayed her.

Like Cleopatra's asp awakening on compassion's mound, on passion's curve, at consolation's center one aberrant cell metastasized, stirring from slumber to pierce with death that tender sweetness it had dreamt upon.

II.
She hates that phrase "lost a breast" with its insinuation of carelessness.

"It's not as if the three of us went off to market," she says, "my left breast, my right breast and I and one zipped off to ice cream while the other darted to bottled dressings and me just meandering beside vegetables stacked and clotted like a painter's palette with apricot,celeriac, eggplant, muscadine.

It's not as if I realized suddenly one of my breasts had gone missing and charged the courtesy counter breathless on the PA system announcing: I'm waiting on aisle nine for my right breast, my recalcitrant child who has spent her full, fragile, throbbing life with me so please return please and help me push the cart piled high with treats for her: my other darling, my rose-tipped girl, my comfort."

III.
Breasts make money, cut or uncut.

We speak of capital "B" breasts as if they were priceless organisms to be mined or culled or caught in the teeth and so they are.

The Breast is a bronze pendant, a cocoa fruit lopped from its emerald vine.

Breast is an apricot moon pinned to the vineyard of night a pool mirroring the love-sustaining needs of women and men, women and women, mothers and sucklings.

Breast, tumescent and detumescent as any male part, is mystical and defiled, swollen and confined, life-giving and powerful as Africa's Nile.

The Breast reigns: Queen of Solace, Empress of Amazons, Priestess of Pleasure.

We all worship the Breast, ripening or withered: first pillow, first nation, first food.

IV.
Your breast is gone, medically incinerated before we could place it among stars.

Lost as the unicorn, that ancient sigil of innocence, your legendary breast is extinct and wandering in fields of praise.

Like the Unicorn's, let your struggles be woven into tapestries and hung in halls of queens and heroes.

Let your face be fashioned of herbs and flowers; let your courage be emblazoned in golden thread so light-yielding, so steadfast that fragile sister ships may, by your radiance, glide unperturbed past shoals and reefs of fear and anguish which lay siege on every heart.

By your burning may ships heavy laden, carved with busts of mermaids and deities who tame wild seas, deliver safely their cargo of women brave and beautiful as you.

To celebrate the five-year anniversary of my cancer surgery, I am considering covering the horrible mastectomy scar with something beautiful.

I, who have always eschewed tattooos, am thinking of having a very personal piece of art of my own placed on my breast, so that when I look in the mirror, I will no longer see puckers and lines, but beautiful designs....

Oooer and crumbs! Altered Element DT pack

Oh my goodness.

This month's Altered Element Design Team pack is Paverpol.

I have a sheet of Paverpol Reliefdecoration, to 'decorate Paverpol statutes', a bottle of Paverpol Transparent craft medium, and a tub of Paverplast.

I have no idea what to do with this stuff! Off to do some research and thinking about what I can create with it all.

Watch this space!

Gothic arch chunky book

I am taking part in a chunky book where the pages are shaped like gothic arches. The pages need to be grungy with a touch of metal. I've been trying to step out of my colour comfort zone (turquoise!) so chose deep red with black for the pages.

I had some textured glossy card, which I painted with about a dozen layers of fluid acrylics in deep iron oxide red and orange. This gives a lovely leathery finish. I added some black lace, an image, some german scrap, buttons and brads and a couple of words.

For the backs, I used two or three colours of colourwash sprays, then inked over a fern frond using red distress ink, to add a bit of pattern. I stamped some lines towards the right hand side, then added some black stamped and embossed butterflies. I hope they are gothic enough!

Button it!

My last Altered Element DT pack included some Grungeboard. I've never used this stuff and was not quite sure how to work with it. I used a Cuttlebug heart die and folder to cut it and add texture. I coloured it with a colourwash spray, and once it was dry I added highlights with Treasure Gold.


I painted a 4 x 4 canvas with several thin layers of fluid acrylic paints and overstamped with Stazon. I used fine brass wire to attach the button, ribbon and Grungeboard heart to the canvas, then sent it off to Fiona.

I completely forgot to sign it...

Metal heart

I absolutely love these Patera metal jewellery findings from Nunn Designs. They come in a range of shapes in gold, silver and copper, and best of all there is a punch which goes with them, and which punches collages, fabric paper etc to exactly the right size to glue into the pendants.


I punched a piece of fabric paper, glued it to a piece of felt, and sewed tiny sequins and beads onto it before stamping and embossing it to add touches of gold. I used a stamp from my last Altered Element DT pack. A few dabs of glue later, and I had a unique piece of jewellery to send off to Hilda!

Altered Element surface design pack - more twisting Tyvek

I thought I'd try another way of working with Tyvek, so I gave one side of this piece a thin layer of watered down fluid acrylics in Nickel Azo Gold, and Jenkins Green.


Once the paint was dry, I cut the piece in half, and turned one piece over so that the painted side faced down. I covered the Tyvek with silicone baking paper, and used my iron to distort it. This is a process where you don't have much control, Kim Thittachai says the secret is to 'kiss and caress' the paper with the iron (definitely don't apply any weight or pressure, the iron should hardly touch the paper). The tyvek always distorts so that the 'creases' are nearest the iron, and the rounded 'valleys' are furthest away.

If you click on the picture below to enlarge it, you can see that the piece on the left is the side where the unpainted side was nearest the heat of the iron, and the rounded areas are more prominent, whereas the piece on the right had the painted side nearest the heat and the creases are more prominent.


My tyvek now had interesting texture and shape, but I wasn't sure what to do next. So, I cut one piece up, using the lines which had formed when the Tyvek was distorting. That gave me some interesting shapes. And then I had a moment of madness and decided to attempt an abstract embroidery piece!


I used my embellishing machine to create a piece of wool and silk felted fabric to use as a background. I then laid one of the Tyvek pieces on top, and used some hand painted silky thread to attach the Tyvek using some irregular cross stitches. The Tyvek was surprisingly easy to stitch through.

I finished the piece by adding some french knots to the background, and some beads tothe Tyvek, to give the piece more texture. You can see some of the detail in the pictures below.


I think I'll use this as a book cover.

Altered Element surface design pack - Tyvek

Tyvek is funny stuff - it is used in the building industry and in textile art. I remember the Guardian printing a newspaper supplement on it sometuime around 1990, anmd saying how it would be one of the materials of the future... but I never imagined I would be making art out of it!

I coloured the tyvek with watered down acrylic paint, applied using a baby wipe. You only need a thin layer of paint, especially if you are going to heat the tyvek, as the paint acts as a resists to the heat - so, lots of paint=difficult to heat & distort. I coloured both sides of the tyvek, you can see the coarse 'fibres' take colour differently to the finer ones.


Next, I cut the tyvek up and laid pieces onto deeply etched rubber stamps with bold designs, added a layer of silicone paper to protect my iron, and used the iron (on a cotton setting) to heat and shrink the tyvek. This process can be unpredictable - my iron wasn't hot enough the first time, so I was left with big patches of unmelted tyvek, and it was too hot the next time, so the tyvek disappeared! This is about right, when it melets soem away completely but doesn't leave you with unmelted areas. I need to fine tune it a little bit more as it is still melting more tyvek away than I'd like, whilst leaving patches unmelted.



Next, I tore the melted tyvek into smaller pieces, and added them to a mask (protected the mask form with greased aluminium foil) covered in Perfect Paper whilst it was still wet. The perfect paper dried and the tyvek is inlaid into it. I think I may add colour to the paper parts, and Treasure Gold to add glints afterwartds. I may even post a pic when it's finished!

Altered Element DT surface pack - Stampboard

I once received a beautiful Stampboard triptych from Trizzy - this is my version, which is very different! I used watered down lettuce and stream inks, stamped with black Stazon, and added Golden mica flakes for a bit of glitz. A couple of paper flowers and a gem or two, and it was finished. I just glued two tiny brass hinges to the back, and it stands up nicely!

Needle felting

A couple of weeks ago, two friends of mine pointed me in the direction of a brand new Merrylock Embellishing machine on EBay. I was very fortunate to win the machine for £62.99 and I collected it 10 days ago. I didn't find the time to start playing with it until Thursday, and I finished my first project today.

I have seen a number of felted projects which have been beautifully done, but using gross (in my opinion!) colours. I thought I'd make something subtle. I took a base of acrylic felt, and felted some grey-black wool to it. Once I'd covered the felt and made a nice base, I took some more yarn and wound it into spirals, and felted those to the base. I added some simple fly stitching in a shiny crimped yearn, and some french knots in a hand dyed grey & pink perle cotton, and I *think* it's finished.


I'm not sure though - part to me feels there should be a focal point, but I'm not sure what it could be, or where to put it. I'll look at it over the next few days and see if anything suggests itself...